Open your folded card (whatever size you choose is great) and measure two ribbon or string pieces that will go across the width of your card. Tie the two strings together to make a knot at each end. Glue each tile onto your strings to complete your message of Happy Birthday. Decorate the rest of your card with messages or decorations of your choosing. The recipient will smile wide when they see the extra time you put into making a great card.
Valentine greetings have been popular since the Middle Ages, a time when prospective lovers said or sang their romantic verses. Written valentines began to appear after 1400. Paper valentines originated in the 1500s, being exchanged in Europe and being given in place of valentine gifts and oral or musical valentine greetings. They were particularly popular in England. The first written valentine (formerly known as “poetical or amorous addresses”) is traditionally attributed to the imprisoned Charles, Duke of Orleans, in 1415. While confined in the Tower of London after the Battle of Agincourt, the young Duke reportedly passed his time by writing romantic verses for his wife in France. Approximately sixty of the Duke’s poems remain and can be seen among the royal papers in the British Museum. They are credited with being the first modern day valentines.
By the Sixteenth Century, written valentines were commonplace and by the Seventeenth Century, it was a widespread tradition in England and other Western countries for friends and sweethearts to exchange gifts and notes on February 14. During the early 1700s, Charles II of Sweden brought the Persian poetical art known as the “language of flowers” to Europe and throughout the Eighteenth Century, floral dictionaries were published, permitting the exchange of romantic secrets via a lily or lilac, for example, culminating in entire conversations taking place within a bouquet of flowers. The more popular the flower, the more traditions and meaning were associated with it. The red rose, for instance, believed to be the favored flower of Venus, Roman Goddess of Love, became universally accepted to represent romantic love. Thus, the custom of giving red roses on Valentine’s Day quickly gained popularity.
Some time after 1723, the popularity of valentine cards in America began to grow with the import from England of valentine “writers.” A “writer” was a booklet comprised of a vast array of verses and messages which could be copied onto gilt-edged paper or other type of decorative sheet. One popular “writer” contained not only “be my valentine” types of verses for the men to send to their sweethearts, but also acceptances or “answers” which the ladies could then return. Late Eighteenth Century and Early Nineteenth Century valentines were often religious in nature and it is possible that the “Sacred Heart” often depicted on these cards eventually became the “Valentine Heart” with the customarily accompanying Angel eventually becoming “Cupid.” It is believed that the earlier versions of these religious valentines may have been made by nuns who would cut-out the paper lace with scissors. It is thought the process probably took many days since the cards had every appearance of being machine-made.
One popular style of early American card from 1840 to approximately 1860 was the “Daguerreotype,” a photographic process using old-time tintype in the center of a card surrounded by an ornametal wreath. Another was the “Mirror Valentine,” which contained a small mirror placed in the center to reflect the face of the recipient. However, the sending of valentine greetings in America did not become a true tradition until around the time of the Civil War (1861-1865) when valentine cards often depicted sweethearts parting, or a tent with flaps that opened to reveal a soldier. These were known as “windows.” In peace time, the “window” would be a church door opening to reveal a bridge and groom. Another Civil War valentine novelty was for the card to have a place for the sender to include a lock of hair. By the early 1800s, valentines began to be assembled in factories. Such early manufactured valentines were rather simplistic, composed of black-and-white pictures painted by the factory workers. Fancy valentines comprised of real lace and ribbons were introduced in the mid-1800s. Paper lace began to be introduced to the cards later in the 1800s, These valentines also contained delicate and artistic messages with pictures of turtledoves, lovers’ knots in gold or silver, bows and arrow, Cupids and bleeding hearts.
During the Victorian Era and its printing advances, Valentine cards became even more popular and the modern postal service of the age implmented the “penny post,” which made it easier to mail written valentines. (Prior to that time, postage was so expensive that most cards were hand-delivered and usually left on doorsteps.) Known as “penny postcards” (because they were mailed with a one-penny postage stamp), these valentine greetings were very popular from around 1890 to 1917. During this time, it was also considered “proper” to collect and display collections of postcards and trade cards in the Victorian and Edwardian parlor. Friends and guests would be invited to sit for hours, leafing through albums while they visited. This custom gained so much popularity that photographers, studios, printers and business continually strived for new and exciting subjects to satisfy a public which was anxious for innovative items in order to impress their acquaintances. To make their cards stand out, people often sought for real photographic postcards. As opposed to mass-produced lithographs, these were actual photographs made with a postcard-printed back. The photography studios frequently employed women to hand-tint and color the black-and-white images. Some of the best of these cards came from Germany…famous for its detailed and colorful lithography. Popular subjects included women, children, flowers and couples, posed and arranged in an effort to portray the idealized virtues of the Era. Indeed, it was in England that the first commercial-type valentine was produced on embossed paper, later perforated to make a lace-type design. Some of these cards contained tiny mirrors with the message: “Look at my Beloved,” while others were called “Cobweb Valentines” because the center could be lifted by a tassel to reveal a cobweb effect of paper and underneath, a picture of a couple or a romantic message.
Although pre-Victorian valentines are virtually unavailable today, but cards have survived over a century due chiefly to the fact that they began to be mass-produced around 1850. However, the majority of early Victorian valentines were customarily made by hand from honeycombed tissue, watercolors, paper puffs, colored inks, embossed paper hearts and exquisite lace. These were truly beautifully-created small works of art, often adorned with silk or satin (in addition) to lace, flowers or feathers and even gold leaf. Such fragile honeycomb designs remained the vogue until around 1909. Some of the most unusual valentines were fashioned by lonely sailors during this time…unique cards sporting seashells of various sizes employed to create hearts, flowers and other designs, or to cover heart-shaped boxes. Sailors also sent what were known as “Busk Valentines,” rounded long sticks fashioned from ivory or wood, somewhat resembling a tongue depressor but approximately five time longer. Upon these sticks, the sailor would carve hearts and other loving designs. The “Busk Valentine” was worn by the sailor’s sweetheart inside her corset. It was not unusual for a manufactured valentine of this era to cost as much as a month’s earnings, particularly the “proposal valentines” which were very popular and might contain the depiction of a church or a ring. In keeping with Victorian etiquette, it was considered improper for a lady to send a valentine greeting to a man.
Children in Victorian England had the task of writing greetings to their parents in their very best handwriting. Sometimes adults wrote Christmas letters to each other, but this could take up a great deal of time. The printed Christmas card solved the problem. The custom of sending printed cards was started in England by Henry Cole, who did not have time to write letters to each of his relatives. He asked an artist, John Calcott Horsley, to design a card for him. About 1,000 of these cards were printed, and those not used by Sir Henry were sold by the printer for one shilling. This was not cheap, which may be why they did not sell very well. With the introduction of the “penny post” in 1840, it became cheaper to send mail, and as a result of color printing and the invention of printing machines, cards could be printed faster and cheaper. The first company to print and sell Christmas cards on a large scale was Charles Goodall & Sons of London in 1862. The first charity card was produced in 1949 by UNICEF. Richard H. Pease, a printer from Albany, New York, is credited with sending the first specially printed Christmas card in America, in 1851. It managed to make the first mistake in Christmas card history. The card showed a building on which was hung a banner proclaiming “Pease’s Great Variety Store.”
- Creatology™ Chenille Stems – Multi; Red, Green, Brown, Black and Yellow
- Cards – White
- Creatology™ Construction Paper
- Creatology™ Foam Stickers – Alphabet Dotty
- Aleene’s “Tacky” Glue®
- Paper Envelope
- For Card:
Cut brown construction paper to fit card front leaving ¼ inch white card border.
- Use ruler to tear a ½” width of orange construction paper the length of the card, glue in place.
- Use foam letters to personalize card on orange paper strip.
- Cut chenille stems as shown on card and glue in place.
- Use small roll of yellow chenille as light on candles, glue in place.
- Use photo as your guide to make envelope and personalizing with foam letters.
- For Envelope:
Cut strip of orange construction paper to 3/4″ x 3-1/2″ and tear off ends as shown. Glue strip to front of envelope.
- Cut three green, one black and three red chenille stems to 1/14″ pieces. Glue over construction paper as shown.
- Add name using foam letter stickers.