We have all seen pine cones used in crafts and arts but did you know that pine cones can be home to little critters that you do not want in your home? Line a cookie sheet with aluminum foil. Take your cookie sheet outside and place pine cones in a single layer. You do this outside to avoid any more time the critters have to get into your home. Take inside and put into 200 degree preheated oven and bake for 10 minutes. This will also help eliminate any sap that the pinecones hold. Cool and they are not ready for your crafting. This also will make them slightly more porous so that different glues will bind better with them.
Distress Inks have been specially formulated to produce an aged look on papers, photos, fibers and more. These inks are not “better” than other inks; they just work completely “different” for the purpose of creating an aged look.
Here are some key points that make Distress Inks different:
STAYS WET LONGER ; the Distress Ink formulation allows blending and shading on photos and paper, as well as embossing! Other dye inks dry too fast, especially on photos which would result in lines and marks for direct to paper techniques. Not with Distress Inks!
COLOR WICKS OR SPREADS OUT – these inks will travel across the surface of your paper when spritzed with water; other dyes do not travel as much although they might bleed a little when wet, the Distress Inks actually “wick” or spread out much further creating several tone on tones.
COLOR STABILITY – the colors of the Distress Inks will not break down when wet or heated allowing you to have more color control for the finished look; other “brown colored” dyes will break down when water is added leaving a pink & green hue.
COLOR PALETTE – Well these are unlike ANY other colors of inks you’ve seen!
*Antique Linen: the color of aged lace or linens found in the cherished heirlooms of grandmother’s trunk.
*Tea Dye: the orange hue of saturated tea bags with the results of dying in a tea bath for days.
*Vintage Photo: this color is captured right out of the photographs from times gone by.
*Walnut Stain: a rich, dark stain of an old walnut tree perfect to create a dark wash of color
* Fired Brick: the look of charred cinders from an old camp fire
* Weathered Wood: the patina on a dairy barn’s window frame
TO DISTRESS: I like to use water when I am distressing. I think it gives the papers more of a weathered texture, so here’s how I start.
Working on any type of paper (manila, card stock, or text weight), crumple the paper up – always press in the center of any heavyweight card stock or manila stock – this will break the surface tension of the paper and allow you to crumple up the paper easier without tearing it.
Next rub the Distress pads over the surface – you can work with several different colors or just one – WALNUT STAIN IS IDEAL FOR THIS.
Then spray the inked surface with water (you will immediately notice the ink “travels” outward when water is applied as these inks are designed to react with water).
Heat the surface to dry – and here’s why… Although you don’t have to Heat Set these inks for any reason, I like to dry the water using either my Heat Tool or a craft iron. This will allow for more tone control and keep areas dark and others light. Ironing the paper will also give you a much smoother surface to stamp on without compromising the aged finish.
Note: If you allow the surface to air-dry most of your color will end up on the edges only because the paper will bend and buckle when wet, forcing the ink and water to the edges. Notice that these Distress Inks retain their color value even when wet and dried. Other brown dyes will break down in color (sometimes leaving a pink and green hue).
FOR STAMPING: What can I say about the many stamping applications these inks can achieve. Once again the special formulation on these Distress Inks provides a versatile finish on papers yet still allow for “normal” stamping applications. I like to stamp on uncoated (matte) papers and immediately rub the image with a cloth – this will soften or shadow your image WITHOUT smudging any detail, VINTAGE PHOTO, WALNUT STAIN and TEA DYE are wonderful for this one! Another surface is glossy card stock – keep in mind this is a different type of dye ink so when you stamp on glossy, certain areas of your image will “bead” up, once again providing a Distressed look without you doing a thing (this is probably one of my most favorite looks) – some areas of the image appear “pitted”. Brayering on glossy cardstock is also wonderful because you can still manipulate the inks with different tools, brushes, fingers, whatever. Even after the ink is applied you can achieve amazing texture and color shading.
ON PHOTOS: Finally an ink formulated for photos! Whether you’re a scrapbooker or not you can use all types of photos (vintage or new ones) on your cards and pages. Distress Inks work on MOST types of black and white photos – inkjet, laser, toner copies, and regular photos. Always test the type of photo paper and printer first!!!
*Tint your photos using your choice of Distress Ink colors and the Cut n’ Dry Nibs.
* Drag the nib across the Distress pad to pick up ink and color directly on to your photo using the nib ; the inks blend without leaving any lines.
* For larger background areas, tint the photo using a cosmetic make up sponge or craft sponge.
* Tap the foam on to the Distress pad and wipe inks on to your photo. Repeat for desired look.
* To Distress, begin with the lightest colors ANTIQUE LINEN only (direct to photo). Cover the photo in the lighter color. ; THIS WILL NOT SMEAR ANY OF THE DISTRESS INKS COLORS YOU TINTED WITH!
*Blend the photo with a clean piece of foam or cosmetic make up sponge immediately after applying ink.
*Next, age the edges with VINTAGE PHOTO or WALNUT STAIN by applying the ink with foam or cosmetic make up sponge.